Posted Wed, 03/02/2016 - 06:17 by David Barrett Admin
Here are some tips to help you relax when playing the harmonica. Attention to these elements will improve your tone (tense muscles create a restricted airways = poor tone) and speed (tense muscles are slower, especially in regards to drag when pressing your hands, mouth or tongue onto the harmonica).
1 - Take a couple deep breaths. This relaxes your entire body, importantly your neck and shoulder muscles, which tend to hurt after extended play. continue reading...
P.S., starting next week Tip of the Day will move to once a week (I'll shoot for Wednesdays). I've enjoyed writing for you every weekday morning for the past 3+ years, but student submissions at BluesHarmonica.com have been increasing steadily and now my time needs to be focused on them.
Posted Wed, 02/24/2016 - 09:44 by David Barrett Admin
Well that's it, these are all of the songs that students of School of the Blues first learn before they start to add their own song selections into the mix. I recommend you look at the listing I provided (https://www.facebook.com/bluesharmonica/) and make note of the different types of grooves that are represented... these are the grooves you'll most likely play in an average set. continue reading...
Posted Mon, 02/22/2016 - 08:53 by David Barrett Admin
Here's what I like to play. Reminder, Bar 9 is four beats on the V7 and then two beats for the bVI7 and then two beats back down to the V7.
#1 - 3" 3' 3"
#2 - 4+ 4' 4+
#3 - You can also play an arpeggio (notes of the chord played one after another). The V7 Chord being 1 2' 3" and then 4' for the bVI7 and back down to the 4+ for the V7.
As always, the key practice point is to loop that part of the song and play it hundreds of times until you come up with two to three combinations that you like and then memorize them so that they'll be waiting for you when you play this song.
Posted Thu, 02/18/2016 - 09:05 by David Barrett Admin
In the Bobby Bland version the V7 is followed by a bVI7, which is simply the same as the V7 with all of the notes up a half step. The V7 is D F# A C, so this up a half step is Eb G Bb Db. If you think in sharps better, then you get D# F## A# C#. The F## is the same note as G, so it may be easier for you to think D# G A# C#.
The V7 Chord is D F# A C and is found here: 1+ 1 2' 3" 4+ 4 6
The bVI7 chord is Eb G Bb Db and is found here: 1' 2 3' 4' 6+ continue reading...