What's New: Accompaniment Study 4

In this lesson we dig into how to play fills between vocal phrases, as well as more dynamic ideas to play under vocals and instrumentalist solos. "I Want You With Me" is again our study song, but written in a more advanced way… the way a pro player would approach this song. The solos will apply choruses from your Tongue Blocking Study 3 study song, "Gary’s Blues." This intermediate skill level players, though bending is moderate (if you’ve finished Bending Study 3, then you’re ready to take on this challenge). You'll need an A Harmonica for this study.

Videos Include: Accompaniment Study 4 Intro & Review: Accompaniment Study 4 Introduction; Accompaniment Study 2 Review; Accompaniment Study 3 Review; Accompaniment Study 4 – Section 1: Transitions: Transitions into Chord Change – Example 1.1; Transitions into Chord Change – Example 1.2; Transitions into Chord Change – Applied to Vocals; Accompaniment Study 4 – Section 2: Vocals with Fills: Vocals with Fills – Example 2.1; Vocals with Fills – Example 2.2; Vocals with Fills – Example 2.3; Vocals with Fills – Example 2.4; Accompaniment Study 4 – Section 3: Chording Under Vocals; Accompaniment Study 4 – Section 3: Chording Under Vocals; Chording Under Vocals – Example 3.2; Accompaniment Study 4 – Study Song: I Want You With Me, Version 2: Chorus 1; I Want You With Me, Version 2: Verse 1; I Want You With Me, Version 2: Verse 2; I Want You With Me, Version 2: Guitar Solo; I Want You With Me, Version 2: Second Vocal Section, Verse 1; I Want You With Me, Version 2: Second Vocal Section, Verse 2; I Want You With Me, Version 2: Third Vocal Section, Verse 1; I Want You With Me, Version 2: Third Vocal Section, Verse 2; I Want You With Me, Version 2: Played; Closing Comments to Accompaniment Study 4