Posted Wed, 09/19/2012 - 08:31 by David Barrett Admin
When referencing a pitch for bending practice (such as a piano or a pitch generator like the Wittner MT60 that Kinya used in Harp Tech Study 7), if you're in tune, you won't hear the reference pitch (it will be very difficult to hear).
Posted Wed, 09/19/2012 - 08:31 by David Barrett Admin
When referencing a pitch for bending practice (such as a piano or a pitch generator like the Wittner MT60 that Kinya used in Harp Tech Study 7), if you're in tune, you won't hear the reference pitch (it will be very difficult to hear).
Posted Mon, 09/17/2012 - 07:36 by David Barrett Admin
Join Gary Smith and I as we explore the subject of Movement Exercises in the form of Patterns. Videos Include: Submission #33 - Movement Exercises: Patterns Introduction; Submission #33 - Movement Exercises: Pattern 1; Submission #33 - Movement Exercises: Pattern 2; Submission #33 - Movement Exercises: Pattern 3
Posted Sat, 09/15/2012 - 10:24 by David Barrett Admin
Contributor Mark Hummel at BluesHarmonica.com just released his book "Big Road Blues - 12 Bars on I-80" and it's a real fun read. Mark shares his stories of the road and insights about the artists he's shared the stage and greenroom with. For more information visit http://www.markhummel.com/book.html To purchase a copy, go to Amazon http://www.amazon.com/Big-Road-Blues-12-Bars-I-80/dp/0578097672
Posted Fri, 09/14/2012 - 17:29 by David Barrett Admin
Join me for our sixth lesson on Music Theory for the Blues Harmonica Player, where we explore how to deal with non-12 Bar Blues Changes. In this lesson we cover Chord Voicings, 12 Bar Blues, 8 Bar Blues, 16 Bar Blues, 20 bar Blues, 24 Bar Blues and how to figure out and deal with songs that are outside the standard form. For your convenience I've pulled some of the audio from the video examples and saved them as MP3s for you to practice with on your own. I hope you enjoy and get as much out of this lesson as I did! continue reading...
Posted Fri, 09/14/2012 - 17:20 by David Barrett Admin
In this lesson you'll learn how to move around the entire range of your harmonica using your home scale (A Major Scale on your A Major Harmonica). We'll dig into Movement and Breath Patterns as well as how you can use your jaw to facilitate greater ease of motion and speed in your playing. This is lesson will benefit all skill levels of players. You'll need an Harmonica for this study (advanced players will also need the B-Flat Harmonica). continue reading...
Posted Fri, 09/14/2012 - 07:29 by David Barrett Admin
My School of the Blues students in San Jose, California have now gone through their rehearsals for the summer student concert and are getting ready to perform. The ones that chose songs with non-12 Bar Blues chord changes or fancy openings, endings or breaks, have found how much a of a challenge they can be to rehearse and play with the band. These types of songs can be fantastic, but require extra attention and practice from all involved. Generally speaking... the success level goes down and the anxiety level goes up (for all those involved) the fancier the tune is. continue reading...
Posted Thu, 09/13/2012 - 11:53 by David Barrett Admin
We can now mix bluesy and light notes together... making for a lot of options as a soloist. Check out the bass line to Little Walter's "Blue Midnight" below (note that the IV7 Chord is missing one note... the IV7 equivalent of the I7 3'... so hold the 2+ to make the timing work out)...