composition

The concept of variation is pretty straight forward... present an idea and then repeat it with some change. By repeating an idea you create a theme for a chorus or entire song if you carry it through to the end. If you repeat it through the entire song, then we call that idea the Hook of that song.

Our example for this series will be B.B. King's "Rock Me Baby" from the release "Blues on Blues," available on the iTunes store. This performance is in the key of C, so you'll need an F Harmonica (I prefer the Low F) for the following examples. continue reading...

Now that you've had a chance to enjoy and analyze Aki's killer instrumental "Bombay Stroll," here are the Chorus Forms (CF) he used. Mr. Aki Kumar, can you please share with everyone on your Facebook page (https://www.facebook.com/akikumar) how these CF came about? As you worked on writing this song, did you experiment with different CF's for each lick/chorus, or have you so internalized CF's now that you played the new lick at the beginning of a chorus and the CF flowed out? I assume that you worked out the first three or so choruses and then improvised by the time you reached Chorus 5? continue reading...

Through this series I hope you've caught on that repetition, or by another name... organization, comes in many different forms in music. Take a listen to "Gary's Blues," your Tongue Block Study 3 study song. Listen for themes and we'll compare notes tomorrow.

When students reach the last stage of dialing in a song for performance they work on memorization. The common tool used is to list the first lick, or just the first couple of notes of the first lick, for each chorus. The goal is to have a quick bullet-point list of each chorus, but just enough written that it helps you to recall what that chorus is. It doesn't take much, and the goal is to be very brief. Instead of using hole number TAB, you can also use a shape (we tend to remember objects better than abstract numbers). continue reading...

For a groove to be special, it's generally based on a cool lick, played by the rhythm section and sequenced throughout the chord changes (this is where the lick is moved up or down to be played on the other chords)... this special lick is known as a Hook. Here is a list of cool hooks that lay very well on the harmonica. To learn how to play these on the harmonica visit: http://www.bluesharmonica.com/lessons/accompaniment_study_8

“Blue Midnight” Little Walter (Bass Line)
“I Found A New Love” Magic Sam
“Driving Wheel” Junior Parker
“Just to Be With You” Muddy Waters continue reading...