Posted Wed, 04/27/2016 - 06:58 by David Barrett Admin
Once a player develops good bending chops on one key of harmonica their next goal is to gain proficiency on all keys of harmonica. A simple way to do this is to take a challenging bending song that you can do well on one key of harmonica (a song that preferably uses both deep and half step bends, such as the Bending Study 5 song "Half Steppin'," which has every bend represented on holes 1 through 6 of the harmonica in the first chorus!) and play it in all twelve keys. continue reading...
Posted Tue, 10/27/2015 - 07:46 by David Barrett Admin
Harmonicas come in all twelve keys. To play in a given key you simply grab the appropriate harmonica and away you go. Each harmonica is approached the same—same blows, draws, bends and techniques—the harmonica does the key change for you. We start with the A Harmonica because it’s the most common harmonica used in blues. The common keys of harmonica are G, A, Bb, C, D and F. To learn this instrument and play along with the majority of your blues music selections, you’ll need these keys. continue reading...
Posted Fri, 10/23/2015 - 06:46 by David Barrett Admin
Instruments are commonly designed to play all twelve tones in music, and can thus play in all twelve keys. It takes time for instrumentalists to learn their scales (which notes are, and are not, associated with a given key) and ultimately master the ability to move around on their instrument fluidly within each key. This takes a lot of practice over time, but it’s a common necessity. continue reading...
Posted Mon, 01/12/2015 - 10:33 by David Barrett Admin
Now that you've figured out the key of the song, the next step is to dig in and work out what the harmonica player is doing. BUT, even though you may have figured out the correct key, you might be in the wrong position. As a young harmonica player I would often try to learn a new song and I would figure out two-thirds of it, with the rest being a mystery... continue reading...
Posted Fri, 01/09/2015 - 09:05 by David Barrett Admin
No matter which technique you use from the list of three I presented on 1/6/2015, if you make an error in your key selection, it's usually because you heard that the 5th of the key sounded good and took it as the root note.