General site questions from newbie
Hello David:
A couple of general questions about the site and how you prefer your students to get feedback.
1. Is there a search function somewhere on the site? (I think I saw the answer to my next question but couldn't find it again)
2. Is the only song study backing track that doesn't include you playing along the track that is at full speed?
3. Do you mind if students send in parts of study songs for review?
4. How often do you recommend that students send in clips for your evaluation?
Thanks,
Mark
Hi Dave,
I'm wondering if its possible to get a pdf of IN MEMORY. Such a sweet tune...I really want to learn it, perhaps make someone cry like you did. Also When I took lessons fron you directly I used to get sheet music for classic blues artists tunes eg. Little Walter, George Smith, etc. Are these available to us to purchase or download? I'm especially interested in Blues Chromatic like BLUES IN THE DARK, but also Walters stuff and Sonnyboy.
Thanks
Kevin Jean
Hello Kevin, good to hear from you.
I'm glad you like the song. The transcription is available for sale in the transcription set for the CD here https://www.bluesharmonica.com/it_takes_three_transcriptions
Unfortunately, I can't offer any classic song transcriptions. Since I don't own the print rights, I don't have the right to share/sell them.
Is it necessary to start with an A harmonica? I have a c and g diatonic....
Welcome to the site Lynnharp. There is an intro lesson for those with only the C Harmonica, and it's found here http://www.bluesharmonica.com/lessons/c_harmonica_intro_lesson. After this lesson, if you decide to continue, you'll need to pick up an A Harmonica. Best wishes on your studies.
Lynn (and David):
I see questions such as yours, re using the A diatonic for David's lessons, pop up frequently on the Forum. There are a couple of things you'll come to figure out, especially if you pay attention to the music theory lessons, and to some blues history. A lot of classic blues tunes are played in the key of E, in large part because standard guitar tuning is set up so both the lowest and the highest strings on the guitar are tuned to E, two octaves apart. (What the earliest blues artists such as the young McKinley "Muddy Waters" Morgenfield described as "Spanish" tuning, referring to the traditional tuning of a classical guitar.) With that tuning, one could easily play on guitar the E, A and B7 chords typical of blues in the key of E. As you are probably already learning, the diatonic harmonica tuning that went (and still does) go well with blues in E is the A harmonica, played in what's known as Second Position, because when you draw on the first four holes you're playing an E7 chord, and when you blow on the lower holes, you're playing an A chord, i.e., the four-chord (described as Roman numeral IV). Also, the bending that is the signature of blues harmonica is for some notes a tad easier on an A harmonica than the higher-pitched C harmonica. (E.g., even after 5-1/2 years of playing harmonica, I'm still challenged by the 6-draw bend (no fault of David's), but that bend seems easier to hit on an A harmonica than a C harmonica.)
That may be part of why David's lessons usually call for an A harp. And whatever you're doing, you'll want to be playing the same key harmonica as David is in the lessons, so that, for ease of following the lesson, your blows, draws and bends are the same as his. (The jazz artist Howard Levy is famous for being able to play any type of tune in any key on any key of harmonica, but that's because he's able to hit each and every note in every scale with bends, overblows and overbends that he's learned over 20,000 hours of practice. You and I have a lot of other things to do with the limited number of hours the good Lord allots to us, so that's why harmonica manufacturers make harps in all the different keys.) There are also lessons (primarily solo harmonica) where David uses a G diantonic harp, most likely because G is the lowest-pitched traditional harmonica tuning (tho' now nearly every harmonica model comes in a low-F key, and manufacturers are now making harps tuned even lower, to as low as the G an octave below the traditional G harp), and makes for a nice sound when one is "chugging" chords.
I also see new students who are concerned about over-investing in more than one or two keys. And some of those new students also make the mistake of purchasing lower-quality harps so that they can have a number of keys, but at a low price. As with a lot of other things in life, you get what you pay for. You're off to a good start with a C and a G (the former good for blues in the key of G, minor blues in the key of D-minor, and folk tunes in the key of C, and the latter good for blues in D, folksongs in G, and minor blues in A-minor). I strongly suggest picking up an A harmonica to get the most out of David's lessons. The Lee Oskar, Hohner Special 20, Big River and Blues Harp, EastTop Blues Pro, Suzuki Harpmaster, and Seydel Blues Session (brass reed models) are all good values, and worth giving up a few weeks worth of lattes to buy rather than some of the under-$20 deals you see on Amazon or at Guitar Center.
If you find you enjoy all sorts of music, and end up performing with groups, in church, with jazz bands, and lots of other stuff, you may end up with a closet full of chromatics, alternative-tuned, tremolos, octave harps, etc., but until then, there's nothing better than learning from the blues. And when it comes ot the blues, an A and a G diatonic harp is all you need for David's lessons. As time goes by you might want to add a Bb, D, and F (regular or low-F) and keep your C, so that you can play along with 90% of the blues musicians out there (or on records). But even for a beginner, having the six most-used blues keys will pay dividends, even if you're just sitting at home having fun trying to play along with some Junior Wells CDs.
As you progress through David's lessons, you may agree with me that the most important thing to understand is tone. I.e., using your entire body (and especially your breath and your mouth, throat, lungs, and then even your heart, mind, and the rest of your body) to make sounds that express real emotions. Second-most is understanding what's going on musically, whether you come to understand a lot of blues music theory in an academic way, or just hear and feel it. Everything else comes in a Number 3 and beyond.
Enjoy! You've come to the greatest site for lessons, with the most fun group of people.
Actually, the bluesmen's "Spanish" tuning is open G: D, G, D, G, B, D
Actually, the bluesmen's "Spanish" tuning is open G: D, G, D, G, B, D
Learn something new every day. I can safely say that I've never heard of "Spanish" tuning until today. So, it's basically an "Open G" tuning, like what is common for the banjo. For the guitar, I was aware of the "standard" tuning (E A D G B E) and the "Drop D" tuning (D A D G B E) where the low E string is tuned down a full step.
They say there is no such thing a s a stupid question - but I fear that I am about to challenge that premise. It seems as though David told Hob to be prepared to play Walk With Me, chorus one for his test. The test itself requests the entire song. Which is it? And, for reasons I can't completely justify, I am also confused about the Solo Harmonica requirement. Is 1.2, 1.4, AND 1.7 required?
Hello mikeytheking. If you've researched your question and couldn't find the answer, I'm happy to answer questions. The requirement is the entire song, recorded to the provided jam track. For Solo Harmonica Study 1, you are correct, I'm looking for 1.2, 1.4, and 1.7, recorded to a metronome. For a quick reference guide for LOA visit http://www.bluesharmonica.com/sites/bluesharmonica.com/files/private/loa...
Let me know if you have any further questions.
I get it: Level One and Lesson One are different. Duh. Thank you, David
Great. There's a lot of material on the site, it can be confusing.
Hello Mark. Answers below...
1) There is not. We are in the middle of a site redesign and will have that on the new site. If you have difficulty finding something, post what you're looking for here, and I'll help you find it.
2) Correct... only full speed. Slower versions are not necessary... you'll want to be able to play the song at full speed with me before attempting to play to a backing track. You can use a program like the Amazing Slow Downer to do this if you wish (there is a lesson in the Equipment > Software section of the site on this).
3) It's not common, but if you find it useful, go for it.
4) When a study song is complete
Anytime Mark