Half Steppin Tongue Blocking
Wed, 08/09/2017 - 14:03
Good afternoon David. I'm looking for some motivation!!! When you play Half Steppin, do you REALLY tongue block the entire song? i.e. particularly the 3 draw whole step and a half, and the 2 draw whole step? I can get to the half step bends on 2 and 3 and 4 and 5 but can't seem to get CLEAR bends, surely can't flutter or vibrato, the 3 whole and 3 whole and a half, and 2 whole. Should I just pucker those? Your notes come out so very clean and strong... is it just more and more practice? Thanks
Hello JLevy. I do tongue block every bend in that song. You'll get it, it just takes time and practice. If your pucker bending is far superior to your tongue block bending, there's no reason why you can't use a mixed-embouchure approach to your playing. This is where you commonly pucker holes 1 through 3 and whenever you bend, and tongue block holes 4 through 10, using tongue blocking wherever you want a tongue block sound (like a slap, pull, octave, flutter, etc.). The downfall of this approach is that you have to learn how to switch embouchures quickly (you'll get used to it) and more importantly, your tongue won't be on the harmonica, so you won't have tongue block techniques available to you on every note that you play (not as desirable). Something to keep in mind... both are valid ways of playing, just tongue blocking all the time has more technique available to you (for this reason, this is why the traditional high-level blues harmonica players primarily tongue block all the time). I hope this helps.