I dig the West Coast feel that this instrumental delivers and the rock-solid playing on it. The chromatic-driven harmonies are unexpected and cool (made me pick up the harp to try to figure out what was going on!). Can I nit-pick? I would like to hear just a bit more in terms of dynamics on this one (maybe drop the harmonies on a chorus?).
Thank you for your submission. Let's see what you came up with...
CH1 - Nice use of 2nd Po G Harp and 3rd Po C Chro in unison/octave. The call and response reminds me of Clarke's and Kashmar's "Horn of Plenty." Good idea to have the next chorus soloist (2nd Po part) play the turnaround to introduce the next solo.
CH2 - Good to hear some harmonies other than unison/octaves
CH3 - Nice use of two-part, two section harmonies.
CH4 - Good
CH5 - Good idea to introduce a new hook here
CH6 - Good idea to layer the 3rd Po Dia soloing at the end.
Excellent composition... very good use of harmonies, including sectional harmonies. The only thing that could have made it more interesting would have been to use different position harps for soloing (trading 4's, 2's or 1's). Thanks again for submitting... fun stuff.
For the first chorus i took some ideas from Louis Jordan and his song Aint nobody but us chickens(1956), for the intro he used horn section to start with a question and sax solo to answer.
To create my horn section that i played in whole song i used a chromatic harp. I played a lick in first degree and the same lick in fifth degree. it was really hard but it works for the harmonization that i was looking for!!
Thanks again, this contest was a great challenge to learn more about harmony!!!
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Comments
Great Job
Your a Pro now........good work
Nice one!!!! Steven Troch
Nice one!!!!
Steven Troch
Thanks my friend!!!!
Thanks my friend!!!!
Judging
I dig the West Coast feel that this instrumental delivers and the rock-solid playing on it. The chromatic-driven harmonies are unexpected and cool (made me pick up the harp to try to figure out what was going on!). Can I nit-pick? I would like to hear just a bit more in terms of dynamics on this one (maybe drop the harmonies on a chorus?).
Judging
Sounds like a real duet... good overall technique.
Thanks Maestro
Thanks for your words Gary!!!
Judging
Thank you for your submission. Let's see what you came up with...
CH1 - Nice use of 2nd Po G Harp and 3rd Po C Chro in unison/octave. The call and response reminds me of Clarke's and Kashmar's "Horn of Plenty." Good idea to have the next chorus soloist (2nd Po part) play the turnaround to introduce the next solo.
CH2 - Good to hear some harmonies other than unison/octaves
CH3 - Nice use of two-part, two section harmonies.
CH4 - Good
CH5 - Good idea to introduce a new hook here
CH6 - Good idea to layer the 3rd Po Dia soloing at the end.
Excellent composition... very good use of harmonies, including sectional harmonies. The only thing that could have made it more interesting would have been to use different position harps for soloing (trading 4's, 2's or 1's). Thanks again for submitting... fun stuff.
Thanks
Thanks David for your comments.
For the first chorus i took some ideas from Louis Jordan and his song Aint nobody but us chickens(1956), for the intro he used horn section to start with a question and sax solo to answer.
To create my horn section that i played in whole song i used a chromatic harp. I played a lick in first degree and the same lick in fifth degree. it was really hard but it works for the harmonization that i was looking for!!
Thanks again, this contest was a great challenge to learn more about harmony!!!