This is a song played as a request for a shuffle from Dicky James. I (Bob Freeze) wrote the song and this recording is with the band Dicky James and the Blue Flames.
You have my attention! Walter would be proud of you for this opening... great job! So, great opening, but the composition stops there... I hear a harp player in full jam mode. You have a signature movement... 5 5+ 4 3 3+ 3+... that governs your improvising... I can tell you have a lot of experience playing, but there's also a lack of influence in your playing, your focus is to make sure you're studying, AND USING, via the Chorus Form practice method taught in Improvising Study 1, the licks you study. Basically steeling a great lick from a master and incorporating it right away in your playing with Chorus Forms. Take your experience combined with more vocabulary and you'll be a force to be reckoned with! The repetitive lick played at 1:44 was fantastic... and I REALY like the follow up lick you used for the next choruses. Glad to have you on the site.
Dave,
I am always so impressed at how intuitve your many years of teaching has made you. You (and I knew you would) recognized that this song was totally improvised and used a couple of licks (Little Walter and Billy Gibson) and energy to make it work. Sorry if submitting it was not the thing to do given the assignment. Basically, the lead man said play a shuffle , I said ok follow me - live at a gig . It worked so well with a crowd that we recorded it so I could remember what I did. As my life slows down I plan on using my time and your site to gain more focus. Thanks for not scolding me for not following the assignment (I used to teach).
You've got a lot of spirit and you're not afraid to attempt building some real excitement. I'd like to hear you after you've spent some time listening to the masters and working on your tone and technique.
Sounds like you're lipping and I would recommend tongue blocking-it will improve your tone in a major way! The repetitive licks work for you but frankly it was getting a bit much by the thrid time around. Space is gonna go a long way for getting folks to listen. It's something I have to remember as well! On the plus side there plenty of Energy here!
This tune is, in my sens, a perfect example of the effects of a repetitive line: it rocks! That build-up @ 2:00 is infectious, it crawls and catches you... I like this "make no prisoners" attitude!
Great entry Bob! Nice head and some good dynamics as the soloing develops. Most of all though, man, the building repetition from 2.00 is where it really takes off for me. Great tight break at 3.03 as well. Well done to you and your band!
Icicles from mars batman...I could dig the repitition of that hammond B- 3 sounding lick you used to finish the tune with, bet you had the folks hoppin on that little ditty!
Great opening and head - impressed that its with a band and not a backing track - good one!! Nice tone and articulation!! like the repetition starting @1:52 - very cool!!
Comments
Judging
You have my attention! Walter would be proud of you for this opening... great job! So, great opening, but the composition stops there... I hear a harp player in full jam mode. You have a signature movement... 5 5+ 4 3 3+ 3+... that governs your improvising... I can tell you have a lot of experience playing, but there's also a lack of influence in your playing, your focus is to make sure you're studying, AND USING, via the Chorus Form practice method taught in Improvising Study 1, the licks you study. Basically steeling a great lick from a master and incorporating it right away in your playing with Chorus Forms. Take your experience combined with more vocabulary and you'll be a force to be reckoned with! The repetitive lick played at 1:44 was fantastic... and I REALY like the follow up lick you used for the next choruses. Glad to have you on the site.
very intuitive as always
Dave,
I am always so impressed at how intuitve your many years of teaching has made you. You (and I knew you would) recognized that this song was totally improvised and used a couple of licks (Little Walter and Billy Gibson) and energy to make it work. Sorry if submitting it was not the thing to do given the assignment. Basically, the lead man said play a shuffle , I said ok follow me - live at a gig . It worked so well with a crowd that we recorded it so I could remember what I did. As my life slows down I plan on using my time and your site to gain more focus. Thanks for not scolding me for not following the assignment (I used to teach).
Very spirited
You've got a lot of spirit and you're not afraid to attempt building some real excitement. I'd like to hear you after you've spent some time listening to the masters and working on your tone and technique.
plenty of energy
Sounds like you're lipping and I would recommend tongue blocking-it will improve your tone in a major way! The repetitive licks work for you but frankly it was getting a bit much by the thrid time around. Space is gonna go a long way for getting folks to listen. It's something I have to remember as well! On the plus side there plenty of Energy here!
Sweet!
This really swings! Plenty of very cool licks used throughout and the instrumental builds up nicely!
The power of repetition
This tune is, in my sens, a perfect example of the effects of a repetitive line: it rocks! That build-up @ 2:00 is infectious, it crawls and catches you... I like this "make no prisoners" attitude!
Your playin is very
Your playin is very expressive and powerful! Little Walter like head is cool and catchy!
Rockin' Bob!
Great entry Bob! Nice head and some good dynamics as the soloing develops. Most of all though, man, the building repetition from 2.00 is where it really takes off for me. Great tight break at 3.03 as well. Well done to you and your band!
Warms Up
Great start-the sound on this was really great-loved the way it built (after 2:00 on wards) & a great finish!!
Icicles from mars batman...I
Icicles from mars batman...I could dig the repitition of that hammond B- 3 sounding lick you used to finish the tune with, bet you had the folks hoppin on that little ditty!
Solid
Great opening and head - impressed that its with a band and not a backing track - good one!! Nice tone and articulation!! like the repetition starting @1:52 - very cool!!
Submission for shuffle
Submission for shuffle contest.