john lee hooker boogie style forms that stay on the one chord

thank you david

that is a wonderful suggestion

i will follow up on the link on how to begin with modal blues, improvising-study 9 section 2

also, forgive me for asking what i thought was a simple question

i went to the page that had a list of all the studies and all the contributors, i then, for the third time, had my understanding enlarged of the

        size, length, and breadth of what bluesharmonica.com is about

each of the three timesi thought had looked at the site, i had underestimated what you have accomplished

no one will ever be able to duplicate what you have done

as i was going through the list of lessons, i was skimming as i looked for boogie style and staying on the one chord

      then i began to go more slowly and read more, as well as the contributors

i made notes on where the cupping lessons are at, about staying on the one chord,about the lone wolf settings of the delay and attack,

   about 2nd position with a minor key,stuck reeds,feedback,amp tone settings for wezo 45 you once owned,about garage band,

     and about george harmonica smith's swing chromatic,

i had a curiosity on how you got so many great players to give long lessons

      i imagined a few quick possible answers,

        then i realized it is the teaching and what you get from that,and the giving

could you tell me, before i do anything or post anything, in the "share" section, may i or may i not put in live club tracts recorded, some lenghty among nine?

          better for me to ask first, than create a misunderstanding?

so thank you again

tommy

you put a smile on my face