Posted Tue, 11/17/2015 - 08:11 by David Barrett Admin
Ryan Walker (Intermediate student on the site) and I play the examples for you in today's video post at https://www.facebook.com/bluesharmonica/ or at top left of the site in David's Corner for this month (November).
Posted Mon, 11/16/2015 - 11:18 by David Barrett Admin
Our next variation via deletion is not as common, but very cool. Delete the first note. Make sure to rest on the downbeat of beat 2, where the first note was.
Posted Thu, 11/12/2015 - 08:14 by David Barrett Admin
Now that you've played the hook as it's presented in the song and experimented with adding textures for variation, how about using deletion as a way to bring interest? Experiment with this and see what type of ideas you come up with. I'll share some of my thoughts tomorrow.
Posted Wed, 11/11/2015 - 08:16 by David Barrett Admin
IV7 = 4+ 3' 4+ - The 4+ can be played as an octave and the 3' can be played as a two-note combo (3' with 4'). You can also do a shake (3' with 4'), but is less common.
V7 = 4 4+ 4 - A perfect opportunity to use octaves, and is the most common way players will present the V7.
And your Bb Harmonica in 3rd Position...
I7 = 4 4+ 4 - Octaves are the way to go here (take a listen to "I'm Ready" from the Father & Son's album featuring Paul Butterfield. Different song, but same note combination in octaves).
IV7 = 6+ 5 6+ - Same as the I7 in 2nd Position we spoke of yesterday continue reading...
Posted Tue, 11/10/2015 - 07:40 by David Barrett Admin
Now that you have the hook dialed in, experiment with changing the way you present the hook.
I7 = 2 2" 2 doesn't have many options, but 6+ 5 6+ does. Use slaps to present them. Try slaps on the 6+ and flutter on the 5 (this is a very common way to present this lick). Octaves are great (though 2/5 is not an octave, it's an acceptable dissonance). Maybe start the lick with a pull to give it a rhythmic change.
Experiment with the other chords to see what you come up with.
Posted Wed, 10/28/2015 - 08:03 by David Barrett Admin
The concept of variation is pretty straight forward... present an idea and then repeat it with some change. By repeating an idea you create a theme for a chorus or entire song if you carry it through to the end. If you repeat it through the entire song, then we call that idea the Hook of that song.
Our example for this series will be B.B. King's "Rock Me Baby" from the release "Blues on Blues," available on the iTunes store. This performance is in the key of C, so you'll need an F Harmonica (I prefer the Low F) for the following examples. continue reading...