Posted Wed, 05/28/2014 - 06:48 by David Barrett Admin
To check if you're achieving the vibrato, open up HarpNinja. Play a tremolo (no pitch change) and you'll see the green light of the box for that hole flicker on and off. When performing the vibrato (pitch change) you'll see the readout alternating between that hole and its half step bend.
Posted Tue, 05/27/2014 - 06:53 by David Barrett Admin
Let's now try to create the vibrato on an unbent note.
Play your 3 draw and prepare your mouth to bend, but don't bend... keep your tongue and throat relaxed. Your mouth should be tuned to the 3 draw and is ready to influence the pitch when the tremolo starts. Now play your 3 draw with your throat tremolo and the vibrato should be there.
If you're vibrato is not there, then either your muscles are too tense or you're not tuned to the 3 draw. continue reading...
Posted Fri, 05/23/2014 - 20:34 by David Barrett Admin
In this Performance Training lesson I'll help prepare you for success at a Jam Session. Jam sessions can be very challenging, but they provide a valuable opportunity to gain stage experience, meet like-minded musicians and try new material. No harmonicas are needed for this lesson, but download the PDF to reference as we go through the points in this lesson. This lesson is for all skill level players, but is generally focused on intermediate players. continue reading...
Posted Fri, 05/23/2014 - 06:52 by David Barrett Admin
Play a 3' and turn on your tremolo... for most players a vibrato will be produced. As the throat opens it bends the 3' a little more and as the throat closes the bend releases a little bit.
Posted Thu, 05/22/2014 - 06:40 by David Barrett Admin
Item three of our three elements needed to produce a vibrato on the harmonica was, "Tongue and pharynx are relaxed enough to be influenced by the throat tremolo." continue reading...
Posted Wed, 05/21/2014 - 05:50 by David Barrett Admin
Item two of our three elements needed to produce a vibrato on the harmonica was, "Mouth is tuned to the note you're playing."
An experienced player of the harmonica subconsciously tunes their mouth to each note they're playing. This mostly has to do with tongue position, but can also involve the shape of the mouth (especially for very low and high notes... of which are different shapes of course... larger for lower notes and smaller and more frontal for higher notes). continue reading...
Posted Tue, 05/20/2014 - 06:06 by David Barrett Admin
Vibrato is change in pitch, and slightly in volume, and even more slightly in tone. As a technique, it's one of the most difficult skills to teach and learn. Here are the three important elements to producing this technique. Item 1 we've already discussed; we'll discuss items 2 and 3 over this week.
1) Throat tremolo is on
2) Mouth is tuned to the note you're playing
3) Tongue and pharynx are relaxed enough to be influenced by the throat tremolo
Posted Fri, 05/16/2014 - 06:54 by David Barrett Admin
This is the harmonica player's standard way of performing a tremolo and is the basis for the vibrato that we'll cover later. This technique is produced at the vocal folds, where you open and close your airway. Performing a slight cough (without engaging your diaphragm) will give you the feeling of this technique. Your goal is to isolate your vocal folds so that the listener never hears a coughing sound (you are exhaling, but it's a smooth and even stream of air, not a burst of air from the diaphragm for each tremolo piece). continue reading...
Posted Thu, 05/15/2014 - 06:48 by David Barrett Admin
The Exaggerated Hand Tremolo takes your same hand tremolo and exaggerates it by taking your right hand completely off of the harmonica (as far as timing allows). The farther your hand travels away from the harmonica the cooler the visual effect. This technique is great when you're really wailing on a 4/5 combo. This technique works just as well amplified as it does acoustically (of which the standard hand tremolo is generally rare). continue reading...