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I'm looking forward to working with all of you in Trossingen this year. This is Gary Smith's "Rocket Ride" we're playing in the video. Registration is now open... classes fill quickly, so get your class choices in early.

YouTube Video with All Instructors
http://youtu.be/5cz2swIdbVw

The dip is a technique used often by harmonica players, but is a technique that sometimes draws confusion for new players. To define the dip... this is where we start a note bent and then release it quickly to the intended pitch. This is similar to a vocalist swooning into a note for dramatic effect. For example, a 4 draw can be presented by playing 4' D-flat and then quickly releasing up to its natural pitch 4 D. The dip is generally a fast technique, though it can be drawn out in a slow blues for a more dramatic, bluesy effect. continue reading...

Our best tool for bettering our playing is to record ourselves and listen back with a critical ear. If you use this tool correctly, by the time you send your final recording of a study song to me, it should be pretty dialed in. I shouldn’t be making comments about missed notes, they should be more about technique, tone and approach. When listening back to your recording, use your finger to follow along with the provided music/TAB and mark areas that need improvement. continue reading...

Use more repetition. Students have a tendency to play lick-after-lick, not presenting a central idea for each chorus. This gut reaction is from the feeling that a solo should be exciting and full of fireworks. This may create an exciting solo for one or two choruses, but by the third chorus, or third song in that set, it gets old. Repetition is the only tool we have to tell the listener that something is important. By not using repetition, you're telling the listener that nothing you're playing is worth remembering. continue reading...