Posted Mon, 02/24/2014 - 08:28 by David Barrett Admin
The passage I had you practicing Friday (6+ 6 7 8) contains the first four notes of the ascending G Major Pentatonic Scale. Those notes, in this order, represents one of the best licks to transition you into the high end of the harmonica.
Here's the complete scale...
6+ 6 7 8 8+ 9+
Add the 10 at the end and you get another usable note = 6+ 6 7 8 8+ 9+ 10
Practice this ascending and descending 100 times today and you'll be ready for our next step. continue reading...
Posted Wed, 02/19/2014 - 07:55 by David Barrett Admin
Due to the fact that we're not required to study scales and chords to play our instrument (at least at the basic level), playing to non-12 Bar Blues can be a great challenge. Many times the change in the form is very simple once you look at it closer. I've placed at https://www.facebook.com/bluesharmonica my transcription of "Watermelon Man." In this blues-based jazz instrumental you can see that Bars 9 and 10 of our standard 12 Bar Blues are played three times (the V and IV Chord) to make this a 16 Bar Blues. continue reading...
Posted Tue, 02/18/2014 - 02:37 by David Barrett Admin
The simple toothpick is a great tool to have in your harp case. It works great for cleaning the little cracks a crevices where mouth gunk likes to reside and for freeing stuck reeds by simply pushing the reed in and out of its slot a couple of times.
Posted Mon, 02/17/2014 - 06:21 by David Barrett Admin
If you do have the opportunity to work with a private music instructor, I highly recommend you record your lessons. I record the lessons for my students (using the Tascam DR-40) at School of the Blues. A student asked me to give him some thoughts of how to best use his recorded tracks from his lessons. I thought you might like to see this as well.
Posted Thu, 02/13/2014 - 08:05 by David Barrett Admin
I was playing to a slow blues jam track many years ago and was frustrated at the way I sounded.
I went to my well of inspiration and listened to slow blues solos performed by Gary Smith. I noticed that the last note of each of his phrases was held (with a vibrato commonly) and the volume decayed slowly until the next phrase. It didn’t sound as if he actually stopped any of his last notes… they either disappeared into the mist of the noise floor of the band (maybe he was still playing, but I couldn’t hear it?) or he decayed to the point of almost stopping and he started his next phrase. continue reading...
Posted Wed, 02/12/2014 - 11:09 by David Barrett Admin
I'm interviewing Magic Dick this weekend for BluesHarmonica.com. If you would like me to ask him a question, go to http://www.bluesharmonica.com/forums/ask_david_barrett and reply to the "ask Magic Dick" thread. My time will be limited to ask these questions, but I'll do my best to get as many in as possible.
Posted Mon, 02/10/2014 - 08:11 by David Barrett Admin
Today's tip comes from Gary Smith in his latest submission videos (Submission 44). Gary's tip is that you set your delay repeats to that of triplets relative to the song you're performing. In this lesson