Posted Mon, 05/06/2013 - 23:01 by David Barrett Admin
Join Gary Smith and I as we dig into the accompaniment study song "Used To Be My Baby." This will be our study song for horn lines and organ padding down to the road.
Posted Mon, 05/06/2013 - 07:22 by David Barrett Admin
Another great tool to train yourself to play softer is that when playing to a jam track or a study song recording, simply set the volume at a low level; this forces you to play softer in order to track along with the recording. I also like to have students plug in and play amplified, but set the volume of the jam track (or me on the bass) at an acoustic volume, again, forcing them to play softly. Too often playing amplified is only serving the purpose of being louder, but it's so much more than just that... the change in tone being of most importance. continue reading...
Posted Thu, 05/02/2013 - 06:24 by David Barrett Admin
Playing loudly is the #1 killer of harmonicas. The #1 reason why harmonica players don't employ enough dynamics in their playing is the tendency to play loudly all the time. The #1 tell that someone has not mastered their bending skills is in their tendency to play their bent notes louder than their non-bent notes. The fix?... practice playing every new phrase you learn as softly as possible. Keep the volume of backing tracks low so that you're forced to play softly to hear the track well.
Posted Wed, 05/01/2013 - 06:57 by David Barrett Admin
Students are tempted to bring their sheet music or lyric sheets on the stage as a crutch at student concerts. In most cases it's just nerves asking for that safety blanket. The end result is always awkward. Whether it's on a music stand or on the stage floor, your attention is drawn towards the sheet, even if you don't really need it. continue reading...
Posted Tue, 04/30/2013 - 06:30 by David Barrett Admin
When's the last time you've seen a blues harmonica player read sheet music on the bandstand? I've never seen it. Though it's very helpful to use notated music/TAB to learn new material, use it only long enough to help you figure out what to play, and which technique(s) to use to present it, and then don't look anymore. To memorize as you go is to internalize your material and be able to focus on its rhythm and presentation. Also remember to take out your favorite lick from that day's practice and spend the last 1/3 of your practice time and apply it to the Chorus Forms.
Posted Tue, 04/30/2013 - 06:25 by David Barrett Admin
When's the last time you've seen a blues harmonica player read sheet music on the bandstand? I've never seen it. Though it's very helpful to use notated music/TAB to learn new material, use it only long enough to help you figure out what to play, and which technique(s) to use to present it, and then don't look anymore. To memorize as you go is to internalize your material and be able to focus on its rhythm and presentation. Also remember to take out your favorite lick from that day's practice and spend the last 1/3 of your practice time and apply it to the Chorus Forms.
Posted Mon, 04/29/2013 - 07:11 by David Barrett Admin
Our rule of thumb for chording/chugging on the harmonica is to use holes 1 and 2. Adding hole 3 for a larger sound is just fine as well... all depending on if your surrounding licks use hole 3 (it's a good idea to stay away from hole 3 if your single-note licks that surround the chording use hole 3... so that pitch doesn't get over-used). Stay away from chording on hole 4, this is where the harmonica was build to play melody.
Posted Fri, 04/26/2013 - 06:04 by David Barrett Admin
The chords created by drawing and blowing on the harmonica do not carry the same harmonic quality as chordal instruments such the guitar and piano, where they can choose the spacing (voicing), combination of notes (quality) and their inversions (which notes of the chord sound in which order). When playing "chordal" or what's often called "chugging" on the harmonica, it's not so much the "chords" we're playing that are the focus, but the rhythmic drive the pattern played creates. continue reading...
Posted Thu, 04/25/2013 - 06:30 by David Barrett Admin
One of the coolest sounds of the amplified harmonica is that of the flutter tongue (lesson in Tongue Block Study 3). Grab your organ blues (Jimmy Smith, Jimmy McGriff, Jack McDuff, etc.) and listen to when they hold a long note combination and you'll hear that Leslie Tone Cabinet spinning, creating a sound very similar to our flutter tongue (especially the 5 draw flutter). See if you can mimic the sound of the organ in your playing... especially accompaniment playing.