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The fourth of the seven positions starts on the 4th Scale Degree of the Major Scale and is called 12th Position... this is playing in the key F on the C Harmonica. The Mode created is called the Lydian Mode.

The notes are as follows:
F G A B C D E F (same notes as the C Major Scale, just starting from F)

Intervals:
Whole | Whole | Whole | Half | Whole | Whole | Half

Scale Degrees (Relative to its equivalent Major Scale):
1 2 3 #4 5 6 7 8

Full Scale:
1+ 1 2+ 2"
2" 2 3" 3 4+ 4 5+ 5
5 6+ 6 7 7+ 8 8+ 9
9 9+ 10 10'+ 10+ continue reading...

The second of the seven positions starts on the 2nd Scale Degree of the Major Scale and is called 3rd Position... this is playing in the key D on the C Harmonica. The Mode created is called the Dorian Mode.

The notes are as follows:
D E F G A B C D (same notes as the C Major Scale, just starting from D)

Intervals:
Whole | Half | Whole | Whole | Whole | Half | Whole

Scale Degrees (Relative to its equivalent Major Scale):
1 2 Flat-3 4 5 6 Flat-7 8

Full Scale:
1+ 1
1 2+ 2" 2 3" 3 4+ 4
4 5+ 5 6+ 6 7 7+ 8
8 8+ 9 9+ 10 10'+ 10+ continue reading...

If you have a sharp corner on a harmonica that's bothering you, get a file and get rid of it. Sharp corners can be a byproduct of the punching process on metal pieces or from the injection mold process with plastic pieces. Either way, there's plenty of underlying material to get out a fine file and take that sharp corner down. Sometimes just a basic emery board for finger nail care can do the job. Make sure to point the holes of your harmonica down so that any particles that come off don't go into your harmonica.

Hold your harmonica with both hands, using your standard cup. Now look at your harmonica and note how much of it is in your hands. The more of the harmonica in your hands, the less you can place in your mouth. The more harmonica you can place in your mouth, the larger your embouchure is (the harmonica acts like a wedge... opening your mouth the deeper it's wedged in). The larger your embouchure, the bigger your tone.