Posted Fri, 01/18/2013 - 09:15 by David Barrett Admin
"Again, the 3 draw is it" states Kim Wilson in his interview. Control, and use of the 3 draw is one of the most common indicators of a highly-skilled harmonica player. Think of the use of the 3 draw in the list below...
The "3 Draw Rule" in 2nd Position
I7 = 3 (or slightly bend, at the quartertone, for bluesy effect... or 3' if you're in minor)
IV7 = 3'
V7 = 3"
Posted Wed, 01/16/2013 - 09:44 by David Barrett Admin
If you don't have a piano/keyboard around (the most common reference instrument), a music notation program can work just as well... if not better. When working passages that include bending... such as the simple C Major Scale on the C Major Harmonica, where the F and A are whole step bends... notate that scale in the program and use the playback controls to set the speed and play along.
I use the full version of Finale, though makemusic.com has many version of the software... one being free. continue reading...
Posted Mon, 01/14/2013 - 11:49 by David Barrett Admin
Just a little bit ago I spoke of cross training on another instrument to help you with your musicianship... only if you have "extra" practice time, remember?
Positions can be thought of in the same way. I generally like to spend the first three years with a student in 2nd Position. This gives them a "first language" from which to improvise and can be expanded upon and used to help understand how other positions work down the road. continue reading...
Posted Fri, 01/11/2013 - 18:20 by David Barrett Admin
Join me for the first of three releases of the Kim Wilson interview. Videos included in this first release are: Kim Wilson's Early Years, Part 1; Kim Wilson's Early Years, Part 2 - Technique and Conviction; Kim's Approach to Improvising; Kim's Approach to Accompaniment Playing, Part 1 and Kim's Approach to Accompaniment Playing, Part 2
Posted Fri, 01/11/2013 - 12:15 by David Barrett Admin
Many of our licks on the lower thee holes of the harmonica contain articulate bending, requiring attention to our intonation (how well we play in tune). We often use another instrument (most commonly the piano) or tuner to reference our pitch. A common way harmonica players do this referencing without the aid of another instrument is to play the passage in another octave. For example, the challenging lick 1 2" 3" 2" 1 can be played one octave higher as 4 5 6 5 4. So, play 4 5 6 5 4 as your reference (no bends) and then play 1 2" 3" 2" 1 right afterwards and try to match the same pitches. continue reading...
Posted Thu, 01/10/2013 - 08:15 by David Barrett Admin
Since I'm on a roll of promoting my recorded work!... the other two albums I produced were "We Are the Blues" and "History of the Blues Harmonica Concert," both available from cdbaby again.
Posted Wed, 01/09/2013 - 08:08 by David Barrett Admin
My first CD release with John Garcia from 2003 titled "Serious Fun" is out of print, but is now available at cdbaby for MP3 download for only $6.95 http://www.cdbaby.com/cd/dbjg. The example I used with Ryan in regards to breaks was the shuffle "Lick Train." My other original instrumentals featured on the CD are the title track "Serious Fun," the uptempo swing in 3rd Position "Don't Fight It," the solo piece "Quiet World" and guitar and harmonica slow blues "Feelin' Good."
Posted Tue, 01/08/2013 - 08:51 by David Barrett Admin
This release has the killer recordings "Off The Wall," "Blues in My Sleep," "Soul Survivor" and "Creeper." Though not in print anymore, it's a must-have and used can be found for only $15.
Posted Mon, 01/07/2013 - 09:05 by David Barrett Admin
Let's start with James' accompaniment work. The Blues Never Dies! is one of my favorite recordings to showcase how to approach accompaniment playing. This is a MUST HAVE recording in your collection as a studying harmonica player.
The Blues Never Dies! (Otis Spann)
https://itunes.apple.com/us/album/blues-never-die!-remastered/id210149676