gary smith

In this video for "Recording Study 4 - Studio Recording" Gary Smith and Aki Kumar construct and improvise a slow blues that turns into the song titled "A.G. Blues."

I'm home rehabbing my knee and doing a lot of transcription work and I thought you would be interested in being a fly on the wall and see the transcription process. This is the last chorus of Gary Smith's “Alviso Rock,” a song from "It Takes Three." I turned on the screen capture and here it is: https://youtu.be/gOhmazFjP4U (make sure to click on the YouTube link below and watch it in full-screen mode). continue reading...

In our newest episode of the BluesHarmonica.com Recording Study series Gary Smith shares his recording experiences and how he would like to approach our new CD project. Gary and I rehearse our harmony tunes and I provide you with MP3 scratch tracks and PDF music/TAB for you to play along with us.

Tremolo (change in amplitude) is what most of our classic blues harmonica players used (pre-1960). Vibrato (change in pitch) became popular in the lat 1960's. If a classic player used a vibrato they tended to have a strong vocal vibrato as well (Howlin' Wolf is a great example). Players that are heavily influenced by Paul Butterfield (many are) they'll tend to use a strong vibrato. continue reading...

Mark Ford had a strong impact on the Bay Area blues harmonica scene in the early 1970’s, starting with the release of the Charles Ford Blues Band on Arhoolie in 1972, which is now considered a modern blues classic (Robin Ford on guitar, Patrick Ford on drums and Stan Poplin on the bass). His powerful amplified tone and mastery of the entire range of the harmonica (he’s known for his killer licks above Hole 6 in 2nd Position) has caused him to influence many generations of blues harmonica players around the world. continue reading...