tone

Here are some tips to help you relax when playing the harmonica. Attention to these elements will improve your tone (tense muscles create a restricted airways = poor tone) and speed (tense muscles are slower, especially in regards to drag when pressing your hands, mouth or tongue onto the harmonica).

1 - Take a couple deep breaths. This relaxes your entire body, importantly your neck and shoulder muscles, which tend to hurt after extended play. continue reading...

As blues harmonica players we prefer the tone of the lower keyed harmonicas and the lower six holes of the harmonica. When venturing above hole 6, the tone thins and we start to move off access of our cupped hands and away from our mic.

Players commonly use slaps as their default way to present the high notes for a more powerful sound. Using octaves (4 hole for blow and 5 hole for draw) is also a great approach for a bigger sound. continue reading...

Cool story from Paul's quest for unique tone
https://www.facebook.com/PaulOscherMusic/posts/1710559882505468:0

"One note played richly and beautifully is worth a thousand notes with no tone." To see Gary's full interview go here http://www.bluesharmonica.com/gary_primich

Open mouth, insert harmonica... that simple.

The common error is to bring the harmonica near your mouth and pucker your lips out to meet the face of the harmonica. Your mouth closes down towards the harmonica, the jaw raises (like when blowing out a candle) and the tongue raises with it, all creating a narrow air passage that's the perfect embouchure for thin, wimpy tone. continue reading...

Gary Smith called me yesterday to say that he purchased some 7189 tubes as drop-in replacements for the stock EL84 tubes and he loves the results and recommends it to any Blues Jr owners out there to give it a try. He purchased a matched pair for $66 at TheTubeStore.com http://www.thetubestore.com/Tubes/EL84-6BQ5-Tube-Types/Preferred-Series-...

Why I don't like about volume controls...

1) The harmonica is a wind instrument... you control your volume with how much you breath through the instrument. Why do you need a volume control to control something that's part of the nature of the instrument? continue reading...

Once you've dialed in your amp to sound great for performance, turn the treble and mid up half a number. The tone we prefer is often too bassy and lacks the cut needed to be heard in performance. By bringing your treble and mid up half a number it provides a boost in the frequencies that make our sound more intelligible without sacrificing too much of the bassy tone we dig.

Most things work in concert in regards to our body. If your hands are relaxed, then your tongue, mouth, neck and back muscles are more likely to be relaxed. Turn your harp around and look at the cover plates. Are they slightly crushed inwards? If so, start working on relaxing your hands and you'll start noticing other parts of your body starting to relax as well.

When approaching a new technique, we tend to tense up and use more of our body than necessary to perform a task. This is understandable at first, but you don't want to stay that way. A relaxed body is faster and more resilient.

In Hob's first lesson we cover holding the harmonica; cupping a bullet mic; throat tremolo; importance of playing softly; playing with a relaxed embouchure; closing the nose for breath control; Solo Harmonica Study 1, examples 1.2 and 1.4; Tongue Block Study 1, example 1.2 and Walk With Me Study song, Chorus 1; Music Theory Study 1, Section 1; and bonus footage on the definition of tone in music, and how to create big tone on the harmonica. http://www.bluesharmonica.com/contributor/hob_bosold