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In Hob's first lesson we cover holding the harmonica; cupping a bullet mic; throat tremolo; importance of playing softly; playing with a relaxed embouchure; closing the nose for breath control; Solo Harmonica Study 1, examples 1.2 and 1.4; Tongue Block Study 1, example 1.2 and Walk With Me Study song, Chorus 1; Music Theory Study 1, Section 1; and bonus footage on the definition of tone in music, and how to create big tone on the harmonica. http://www.bluesharmonica.com/contributor/hob_bosold

Transcription set for It Takes Three is now available at http://www.bluesharmonica.com/it_takes_three_transcriptions ($20) for those interested in learning the songs on the album. Harmonica TAB and standard music notation provided and includes all solos, harmonica harmonies and charts for songs with harmonica horn lines. Link to download PDF transcriptions are sent within 24 hours. The CD will release on 5/2, but here are four songs available now for your viewing pleasure...

It Takes Three by David Barrett, Gary Smith and Aki Kumar
https://youtu.be/dHhzq2AN99s continue reading...

In our last handwritten TAB example I add standard rhythm notation. Most of the time this isn’t needed while learning by ear, but if you’re having difficulty with the rhythm of a particular passage it’s beneficial to take the time to figure it out (better to spend the time to own a rhythm than cower from it when it comes up in the music). Note that I’ve also changed the 1 and 2 draw chords found on upbeats to a “P,” which indicates the technique Walter is using to sound those chords, the tongue block Pull.

Visit https://www.facebook.com/bluesharmonica for this handwritten transcription.

I've now added what I feel are two important elements to a basic hand transcription... bar lines and chord changes.

By placing a vertical line after the last note of a measure (which in turn is before the first note of the new measure) you're helping to give a basic visual reference of where you are in time. Though you're not providing standard rhythm notation, which would show you exactly where you are in time, this is a good intermediary step when playing by ear. continue reading...

Here's my basic handwritten TAB for the fist line of Little Walter's "Rocker." When a hole number stands by itself it's to be drawn (inhaled). When a hole number is followed by a plus it's to be blown (exhaled). Each slash that follows a hole number represents a half step of bend. If two notes are connected by a arched line, the bend is to be slurred (slides from one note to the next). I use a comma to separate phrases, making breaking down the phrase for study easier. This is also helpful for seeing how the phrasing works for dynamic presentation. continue reading...

I hope you enjoyed the challenge of the first part of our transcription process. Here are the answers to Friday's questions...

1) Harmonica Key: A

2) Key you and the band are playing in: E

3) Where he starts in time: The 2" is on the "and" of 4, with the 2 draw on the downbeat of the next bar. So, he's playing a 1/2 beat pickup to Bar 1. continue reading...

In our newest episode of the BluesHarmonica.com Recording Study series Aki Kumar shares his recording experiences and how he would like to approach our new CD project. Aki and I rehearse our harmony tunes and I provide you with MP3 scratch tracks and PDF music/TAB for you to play along with us.

This is pretty simple… you don’t know how to play something and you take the time to learn it and write it down as you go. There’s nothing wrong with learning solos by memory, but the added value of writing them down is that you have something that can be edited over time and is a reference when you want to revisit the song (it’s common to work on a song for a while and then move on to other material, which makes it a high probability that you’ll forget most of what you’ve memorized if you don’t play the song regularly). continue reading...

I realized that I just jumped into transcribing tips and that it would be a good idea to define what transcribing is in detail for everyone. Transcribing is simply listening to what someone else has played on recording and writing down what they did. In its most basic form you write down the hole numbers that they played (blows, draws and bends) and any treatments such as tongue blocking techniques or articulations they used. continue reading...

Open HarpNinja, click on D for Diatonic, play the YouTube video of Buddy Greene's speed playing http://www.youtube.com/watch?v=x0fusOgxp_8 and watch what HarpNinja reads at 3:45. This is a pretty cool way to use this software to learn riffs (this doesn't work well when there's backing music, so solo YouTube clips are great).