Ask Harp Tech Expert Kinya Pollard

Kinya I would be interested to know your reaction thoughts to using sheet metal vice grips for setting the zero point on the whole reed plate rather than a vice. The tension can be preset to an appropriate pressure 

Hey Kinya,

Typically when I size/emboss reed slots I use my reed wrench and carefully move the reed away from the slot side I'm going to work on, not an option with a spot welded reed!

Got any tips or tricks on embossing/sizing the slot with the reed in place?

I'd hate to banjax that brand new Low D Manji.

Thanks,

TomE

Good afternoon!

I have some questions for Kinya about the Sjoeberg tuning table. I acquired a master table back at the beginning of our lockdown in Canada, and I've been spending a fair bit of time tinkering with it and getting the hang of how it works.

I'm blanking out the "master" section on the back for now, as I am only occasionally cloning one of my better harmonicas over to a new one. continue reading...

Hi Kinya

I'd like to get a rotary tool to tune my harmonica reeds. I know that you recommend the Microlux Roto Buffer but I live in Ireland, they are expensive to ship over here. So I'm looking for an alternative. 

What specs should I be looking out for? For instance, how many Watts? I know it's good to get a device with a small, pen-like shape like the Mircolux. 

I've been considering this as an option, what do you think? 

https://www.halfords.ie/tools/hand-tools/tool-kits/rotacraft-variable-sp... continue reading...

Hello Harp Techs, have you ever played a Paddy Tuned harmonica? For Blues players it is a wonderful segue into learning how to play the “missing” notes in perfect pitch (read: in tune). In 1994 our friend Brendan Power--a master of alternate tunings, originally created the Paddy tuned diatonic harmonica to easily navigate the myriad of notes found in Irish songs. The advantages of the Paddy tuning for diatonic harmonicas are numerous (my examples refer to: C diatonic harmonica): continue reading...

Hello Kinya (wow, the first time I spelled your name correctly).  I ordered 6 blow reeds for Key of G for a crossover I am working on.  The warehouse mixed up their inventory and sent 4 blow reeds, three times.  Customer service was excellent and we finally got 6 blow reeds and a nifty Hohner T shirt for my troubles.  I relaced the reed and checked out the tunung.  Wow.  It was a C# showing 50 cents to the right.  My logic was to keep fllattening it (remove from the free end) until I tuned it to a D. continue reading...

Professor Pollard, continue reading...

Hello Kinya,

After a year of playing and constantly gapping my harps I have finaly decided to measure the gaps.

So far I have documented my G harp but the results I got ater thorow measuring has come out very strange.

I am attaching the result at the bottom of that post and I would need your guidance what am I doing wrong or what can I do better.

What astonishes me is the great difference between the blow and the draw gaps. continue reading...

Hi Kinya, continue reading...

Hello Kenya, Happy New Year.  2021 has to be better than 2020!  I am working on my third harp.  Used the parallel pliers tech for the zero set.  The free end of the reed still did not go into the slot except for one reed.  I used the half toothpick teck and all the reeds (1-5) definetly reduced the space at the rivet end and is level with the plate.  However, my problem now is the 3 reed  1/2 step bend.  Before I gapped and tuned the reeds I could quickly go from a 1/2 step to a full step 3 draw (Shakey's Shuffle, Artist Study). continue reading...