Posted Mon, 12/05/2011 - 14:42 by David Barrett Admin
One of the challenging bending combinations found in 2nd Position is in playing the notes of the V Chord (known as an arpeggio when you play them in order). As you've learned in Improvising Study 4, the more experienced a player is, the more notes of the chord they use on the V (bar 9 and the last half of bar 12).
For the C Harmonica in 2nd Position they're the notes D F# A. This is 1 2' 3" on the lower octave. continue reading...
Posted Fri, 12/02/2011 - 10:42 by David Barrett Admin
Many of you will be using jam tracks for your backing for the King of Swing. Jimi Lee's GrooveTrax - Every Groove a Bluesman Needs To Know 2xCD Set is a good example of what can be used. This can be purchased in the US at: http://www.harmonicamasterclass.com/groove_trax.htm and outside of the US at http://jimileeband.com/
Posted Wed, 11/30/2011 - 10:13 by David Barrett Admin
Jimmy, a student on the site, needed some clarification on the V-IV-I. Here it is for you as well. Let's start from the top so that there's no confusion.
When we speak of theory on the site we use a C Major Diatonic Harmonica. This harmonica produces the notes: C D E F G A B C. For blues we commonly play in 2nd Position, so we play in the Key of G. The key of G uses the following notes for its construction: G A B C D E F# (F-sharp) G.
If playing by ourselves, we can play those G A B C D E F# G notes in any order, in any rhythm, we wish, to create what we feel sounds good. continue reading...
Posted Tue, 11/29/2011 - 23:40 by David Barrett Admin
The 1959 Fender Bassman Amplifier has been the standard for gigging blues harmonica players since we've had to deal with loud bands in the 1960's. Priced around ~$10,000, the originals are now collectors items and are no longer practical options. The 1959 Fender Reissue Bassman (originally released in 1990), though not the most friendly amplifier to play stock, can be purchased for a very reasonable price in the used market (~$700) and with some tube changes it can sound fantastic. continue reading...
Posted Tue, 11/29/2011 - 10:20 by David Barrett Admin
Shoji Naito has been providing harmonica-specific jam tracks of famous harmonica songs for years and has just added more to his available list for purchase. Here's just a sampling of the titles available: Baby Scratch My Back, Big Boss Man, Don't Have to Hurt No More, Please Throw This Poor Dog A Bone, Bye Bye Byrd, Key to the Highway, I've Got Love If You Want It, Good Morning School Girl, Evening Sun, Ends & Odds, Juicy Harmonica, Honest I Do, Boogie, Juke, Just your Fool, Keep It To Yourself, Last Night, Ludella, My Babe, and many more. continue reading...
Posted Mon, 11/28/2011 - 23:11 by David Barrett Admin
Richard Sleigh has 35 years experience playing the harmonica, including studio work for films, TV shows, radio, as well as performing with a wide variety of acts from Bo Diddley to the Bridgeton Symphony Orchestra. Richard is respected as one of the world’s top harmonica customizers, working in the Filisko guild of customization. Richard has developed tools for working on harmonicas (covered in our Harp Tech lessons) as well as written one of the best books on the subject. This interview was conducted in Norfolk, Virginia in August of 2011. continue reading...
Posted Mon, 11/28/2011 - 22:52 by David Barrett Admin
Andy Just is one of the great rockin' blues harmonica players in the San Francisco Bay Area. We have a full interview with Andy at bluesharmonica.com, so make sure to check that out. In this Artist Study we dig into "Misery," a great shuffle in the key of A that really showcases his rockin'-fast style. This study is for advanced skill level players. You'll need a D Harmonica for this study. continue reading...
Posted Mon, 11/28/2011 - 08:56 by David Barrett Admin
I had my buddy Mark Overman over last night to play with our Bassmans. He helped me to acquire an early Bassman reissue for our Bassman Diaries series. We spent a number of hours filming, changing tubes, etc. After he left I had to get my practice in for the night, so I turned the Bassman to a whisper-quiet volume and practiced (it was late). continue reading...