Posted Tue, 10/11/2011 - 07:18 by David Barrett Admin
“The elements of Music are the individual parts that make up Music as a whole. Many musicians like yourself struggle because you are not familiar enough with all the elements. You rely on mostly one or two of them when you play. Doing that is a great recipe for frustration. A musician like me, who appropriately uses all the elements, will be one of the greats even though he may not be aware of the fact that he is using them. continue reading...
Posted Mon, 10/10/2011 - 06:27 by David Barrett Admin
“’Do you always know what you’re gonna say before you start taking?’ No. ‘And does that stop you from talking.?’ Not usually. ‘Okay, then play!’” Pg 30, The Music Lesson: A Spiritual Search for Growth Through Music, by Victor L. Wooten
Posted Sun, 10/09/2011 - 07:33 by David Barrett Admin
The more airtight your cup is, the more muted your sound is. The more muted your sound is, the darker your amplified tone is and the stronger the difference between your closed and open cup for the Wa Wa and hand tremolo effects. continue reading...
Posted Sat, 10/08/2011 - 06:49 by David Barrett Admin
“If you do practice straight scales, practice them in a musical way. Change the dynamics, or even vary the phrasing or the time timing. Most important, listen to each note. A scale is a fantastic thing. It’s the basis of our musical language. Each note has a psychological value, a tendency to settle or lead to another note. Take the time to appreciate the effect of each sound. Notice how it feels in the context of the entire scale. You can discover endless possibilities by enjoying scales this way.” Pg 143, The Art of Practicing: A Guide to Making Music From the Heart by Madeline Bruser
Posted Fri, 10/07/2011 - 06:21 by David Barrett Admin
“An exercise is simply a series of notes taken out of normal musical context, and usually sequenced and repeated. Many written exercises are lengthy and unmusical, and practicing them can easily become tedious.” Pg 17,
The Art of Practicing: A Guide to Making Music From the Heart by Madeline Bruser
This is why most of your study on the sight is focused study songs... one chorus equaling about two weeks worth of focused practice.
Posted Thu, 10/06/2011 - 08:49 by David Barrett Admin
“I sometimes point out to a student that their frustration with a piece is an indication that they care deeply about it.” Pg 15, The Art of Practicing: A Guide to Making Music From the Heart by Madeline Bruser
Posted Thu, 10/06/2011 - 08:48 by David Barrett Admin
“Everyone starts out in music as a listener. As young children, we hear music with freshness and delight. We fall in love with it and are entranced by the simplest song. But when we start practicing an instrument, we stop listening intently. We become so involved with producing sound that we forget to take it in.” Pg 12, The Art of Practicing: A Guide to Making Music From the Heart by Madeline Bruser
Posted Tue, 10/04/2011 - 06:28 by David Barrett Admin
Which embouchure is fastest... Pucker or Tongue Block? There's no difference... they both can play as fast as the other, BUT, Pucker can play faster articulations due to the back AND front of the tongue is free to articulate (in Tongue Blocking the tip is on the face of the harmonica)... think Ta Ka Ta Ka Ta Ka... etc. So, in the end, we all need to know how to do both to be a well-rounded harmonica player.
Posted Mon, 10/03/2011 - 07:16 by David Barrett Admin
I provide you with structured lessons on the harmonica... unprecedented in the history of blues harp education. This is your KNOWN element. If you follow the lesson plans I lay out for you, you WILL become a great player. In your journey there will be areas of bewilderment... and this is of course part of the process. You will not always know if you're doing something correctly, or if your time is best spent studying particular areas... but that's part of the process as well. For many, improvising and accompaniment playing is very daunting... it sure is... but again, it's part of the process. continue reading...